The Saw movies are a pretty interesting beast. They offer visceral excitement, but they also try to take a step beyond into something a little more thought provoking. Just how successful any of these films are at stimulating anything outside of the visceral level is up for debate, but it is nice to see the attempt being made. They sort of remind me of the Nightmare on Elm Street films, that was the one long running series that I thought at least made the attempt at having a story.
The first Saw introduced us to Jigsaw and his twisted games, the second had Jigsaw escalating the scope of his games and bringing along an apprentice. Now, in the third film, the apprentice is on her way to becoming a gamemaster, especially now with Jigsaw on his deathbed. These are difficult films to review without giving away the secrets. This is a film that works best when you go in without any prior knowledge outside of the first two films.
Something that makes Jigsaw stand out from the pantheon of big screen killers is that he is not a killer or a murderer, at least not directly. His torturous exercises are more of morality plays. He puts people in need of a change in their life, he provides the impetus to set them on a new track. The question throughout the series has always been about what lengths are you willing to go?
The third entry is stronger than the second, as there is a stronger focus on what the goal is. The traps are pretty gruesome, and in the end that is what this is all about. While a decent story is nice, what we really want is a little bit of blood on the big screen. In these days of the watered down PG-13 horror movie, it is nice to see something that goes to the extreme and goes about it in an unapologetic manner such as this.
I have one issue on the technical side, and that is the editing. Enough with the quick movie video cuts! I've had enough, they are giving me a headache. Please, slow some of the cuts down and let us get a better look at what you are showing us. Who knows, maybe letting us actually see it would have a better effect than cutting around it and implying it in those fast moving scenes of blood. More of what was done during the skull cap sequence, that one had me squirming in my seat.
The good thing about the series is the continuity in the creative department. Darren Lynn Bousman returns to direct, after doing the second one. Also, James Wan and Leigh Whannell return for story and screenplay duties. It is always good to have some sort of sameness on that end.
Bottomline. The beginning seemed a little rushed to get by some prior characters, but once it settles down, it is actually quite interesting. It does deliver the twisted goods, which is always a good thing. This is one to see with a large group on the big screen.
Recommended.
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